Does the idea of working for fair, sustainable and joyful social transformation together with a global community light you up? Then join the Untitled team.

Untitled is a community and space for social imagination and experimentation to bring out the next era after the societal crisis. Untitled invites pioneering thinkers and doers to come together to reimagine the society, to form unlikely alliances and to initiate real-world experiments together.

It is founded by an alliance of activist organisations across sectors and led by Demos Helsinki. The Alliance and its invitees gather together in an annual festival.

We are recruiting a colleague with responsibility over Operations and Community to contribute to three main goals 2021:

  1. Untitled has a great member and participant experience as well as robust practices and systems to execute it.
  2. Untitled has a strong community feel.
  3. There are transformative experiments running that embody the narrative of Untitled with multiple members of the alliance participating in each of them. 

Untitled today

Untitled Alliance has 40 member organisations from 12 countries and individuals from 35+ countries. We want to expand this community. The first Untitled festival was held mainly online in September 2020 with 65 co-created sessions and 400 participants in 35 countries. During 2020 in highly turbulent conditions generated by the pandemic we set up, and redesigned, Untitled’s initial structures and many activities from communications to a hybrid festival. Now we want to develop them with the experience gained and the talent you bring.

Some resources that give more insight into our work and thinking:

Role description of the person with responsibility over Operations & Community

The position is to be filled from as soon as possible until July 2021. We are looking for a person working 100 % but we are flexible to accommodate your situation.

It would make our collaboration a success, if in 6 months with your strong contribution…

  • Untitled has well designed and implemented participant experience for different depths of participation. 
  • Untitled has well-functioning, robust practices and processes both for engaging the Untitled Alliance and broader community and co-creating and managing the annual festival.
  • Alliance members know what it means to be part of Untitled. Untitled has a strong community feel with things happening without the Untitled core team being involved in all actions. Members have good and valuable experience of Untitled coordination.
  • Untitled Festival is known by the festival participants and hosts for a great experience and clarity of information.
  • There are at least six transformative experiments in development that embody the narrative of Untitled with multiple members of the alliance participating in each of them. 

What kind of traits likely indicate success? 

Note: The following are not strict requirements for applying but are indicators for success from our previous experience. Thus, if you don’t feel that you match all of them, you are still extremely welcome to apply if you are committed to the goals.

  • strong ability to see the big picture and turn that into action: into approachable practices, processes, and systems. Capability to develop and maintain them independently
  • tolerance for ambiguity and chance, not afraid of complexity

  • strong capability to prioritise, take things to the end and able to work in an organised way that enables others in the team to build on your work
  • Ability to communicate clearly in writing and orally in English

The person will carry responsibility over work related to both operations and community management. However, we understand that people have different experiences, inclinations and interests and these can be taken into account when defining together the focus of work. Thus, additional traits depending on the experience and interests of the applicant:

Operations oriented

  • creativity and proactive problem-solving skills
  • ability to map out options, weigh their implications and plan a solution fit for the purpose
  • experience of or at least strong ability to makes sense of digital systems of managing projects, networks and events 

Community oriented

  • Good ability to reach out to people and sense needs from different parties
  • Experience in nurturing networks or communities
  • In touch with funding ideas and sources for transformative experiments

Examples of activities that would be initially expected to be on the table

Together with the team 

  • Designing and executing “the member & participant experience”
  • Designing and executing practices and tools for smooth alliance engagement and team and project management
  • Organising and facilitating different meetings and activities of the alliance
  • Connecting relevant alliance members to each other and enabling mutual learning and collaboration 
  • Designing and executing processes and tools to curate festival content and invite a diverse group of participants 
  • Concepting and executing a hybrid festival and of course taking part in it 2nd–5th June 2021 (the dates may change due to the pandemic)!
  • Documenting progress and creating content to the website, social media and newsletter
  • Supporting in expanding the Alliance and raising funding 

What would it be like to work on Untitled at Demos Helsinki?

You have full accountability of reaching the goals with great freedom of designing the way there. The ethos of fighting for a fair, sustainable, and joyful next era is visible every day. We approach societal change pluralistically, thus, discussions and argumentation to avoid simple truths is key for us. You will be working with brilliantly curious and challenging people also beyond Demos Helsinki. Starting from Untitled alliance network, we are working with people all over the world who won’t let you down.

We are committed to building a diverse and inclusive community, a place where we can all be ourselves. This also means flexible working arrangements. We treat each other with dignity and respect and do not tolerate any form of discrimination or harassment.

Some practicalities

  • Demos Helsinki has its main office in Helsinki, where the current Untitled team works. We are flexible as to where you are located but being based in Helsinki the closer the festival gets makes things much smoother for you and the rest of the team. Most of the Alliance members are at the moment on European timezones.
  • Salary 2900–3500 €/month
  • Start date as soon as possible, fixed term until July 2021
  • We are looking for a person working 100 % but we are flexible to accommodate your situation. (e.g. starting part-time and growing it towards summer)
  • Professional or study background can be virtually anything from business to humanities, from design to culture. Experience, abilities and interest matter more.
  • Excellent written and verbal communication skills in English is required. Finnish is not mandatory.
  • You will be working closely with Outi Kuittinen and Roope Mokka who lead Untitled as well as with other Demosians and later additions to the Untitled team

Concerning next steps & how to apply

Demos Helsinki promotes equality in working life and our office and all workspaces are accessible. We have an anonymous application process in the first phase of the candidate selection. You can apply for this position by filling out the application form, but the details that are irrelevant for the preliminary selection (e.g., your name, age, and city) are temporarily hidden when we go through the applications. The anonymous application process ensures that the preliminary selection is influenced only by information that is relevant to the process. 

Please submit your application here: https://forms.gle/bZjKBNMFmzPTV7sQ6 

Based on this application, we can invite people to interviews starting already during the application period. All applications sent during the application period will be taken into consideration in the recruitment process.

The application period is open until Friday the 8th of January, 2021, 23:59 (EET). All applicants will be informed of their status in the application process by Wednesday the 13th of January the latest.

For further information, you can contact Outi Kuittinen (+358 50 326 55 82) any time except the 24th-26th of December. If she cannot take your call, she will call you back.

Our time is tainted by a sense of a series of global crises piling up on the ruins they ignite. It seems wherever you look, the period of normal is ending. While we tend to perceive these crises as parallel developments, they cannot be meaningfully understood separately; instead, we should think of them as one. Seeing them as one changes our approach from predicting what is next and from solving problems as they come to that of imagination. This is why the future is untitled. We, however, can name it by refusing to go back to normal, imagining the unimagined, and experimenting together.

The early 2020s are characterized by an abundance of interpretations of a transformation: the transformations we talk about include such phenomena as’ the crisis of capitalism ’,’ post-capitalism ’, and’ surveillance capitalism ’as well as’ digital transformation’, ’ exponential technologies’, and ’ the 4th industrial revolution ’ along with ’the decline of democracy’, ’the crisis of liberalism’, ’ post-truth politics ’,’ meritocratic autocracy ’,’ self-organization ’,’ inner transformations’, and ’awakening to holistic consciousness’.

Parallel to these phenomena, we are witnessing a ’climate crisis’, an ’ecosystems collapse’, ’ the sixth wave of mass extinction ’, and the emergence of ’ anthropocene ’ that require us to move towards ’decarbonisation’, ’ecological rebuilding’ , a ’ post-fossil era ’, or even ’ deep adaptation ’ and ’posthumanism’ .

These well-known theories, visions, or ideologies each explain the dynamics, logic, risks, and opportunities within one parallel transformation: after capitalism (and post-capitalism) comes a data-driven planning economy (or even a fully automated luxury communism) ; after liberalism comes a meritocratic autocracy, and so forth. But these perspectives are fundamentally flawed ways of looking at the future.

The theories on transformations get their meanings from the structures of this passing era, as if everything around the issue undergoing transformation would remain largely intact. We are often prisoners of what we aim to leave behind. Therefore, theories lose their ability to predict the future of society as their fundamental premises on society, behavior, economics, and institutions change.

Instead, if we start looking at all these transformations as one, we are faced with a phenomenon of a different magnitude altogether.

As a result, two things follow: 

  1. Many old categories are disappearing and new ones are emerging. This development has taken place before: we tend to use concepts such as ’a nation’, ’a worker’, ’science’, and ’money’ as if these categories had always existed. In reality, they were all once conceptual innovations, the results of previous historical transformations. It is safe to assume that what we are experiencing right now changes the fundamentals of how we see ourselves as human beings. In some sense, the material, social, economic, and technological transformations are piling up to an ontological transformation.
  2. We lack the images, names, and ways to think about a world that has been thoroughly transformed. Instead of depicting the mechanics of each transformation, we should focus on imagination and on the unimaginable . Transformation hints at something that already exists taking a new form. However, that is not the case in ontological transformations where many entirely new things emerge.

UNTITLED refers to our inability to name and explain what the world and humanity are beyond this one great transformation. We don’t have a clear image of the world that we wish to reach nor of now of the essential steps needed to get there. Thus, we must first abandon many prevailing assumptions that limit the possibilities of what we can be as humans, what kind of institutions we can form, what types of practices to adopt, and how we can interact.

To value the depth of change we are in, we need to stop pretending that we have the answers and know the future. Instead of answers, we need a place, a space, and a process for unfolding what is not here yet. There are numerous, wonderful examples of imagination on Futures that we wish to happen, and a lot of people are imagining such futures. Now, we have to bring them together.

UNTITLED is a space for different imaginations: a place for people who have seen a glimpse of a transformation – that is, who have understood that there is no return to normal – to come together and to build on each other’s imaginations. It is also a place to expand their view on the Untitled future together with the help of experiments.

Art and the avant-garde play a key role in all societal transformations. At Untitled, art’s role is not to raise awareness of the crisis we are in, nor to provide solutions or to criticize, but to enable us to imagine and empower us to experiment. In short, art’s role is to help us see the difference between what is, and what can be.

UNTITLED is a ten-year-long process of unfolding the new world – an experiment in creating an alternative narrative of the metamorphosis we are in. It is driven by an eagerness to go deeper than to the change at hand; to start exploring new ways of living, producing, and caring; and to do it at a scale unforeseen to our generation. We believe that a genuinely new story can emerge through an unlikely alliance coming together to imagine new concepts, to make them tangible, and to learn from them through real world experiments.

UNTITLED proposes a very specific process. In our view:

  • We need to refuse the normal. The world we inhabit is far from desirable. There is no steady and safe normal to go back to but a very unsustainable way of life instead. Any attempt to go back will fail as we’ll fall again soon. Besides, none of the individual solutions currently on the table (in politics, in technology, in business, in personal development) work as a magic bullet; hence, we have to refuse seeking a way forward in the framework of these incumbent discourses.
  • We need to imagine the unimaginable in two senses: we have to imagine things that have not been imagined yet, and we will have to reimagine things that we thought cannot be reimagined. Yet, imagination has to be taken seriously and it has to start from the physical limits that constrain our future – now importantly the planetary boundaries and the existential threats caused by overstepping them. Having limits does not mean that there would be less room for imagination: in reality, limits and boundaries are viable tools for creativity.
  • Yet, we wouldn’t just fantasize and fall for a utopia. Humans are notoriously bad at seeing things in the long-term, and even worse at shaping their actions accordingly. Therefore, instead of betting on the future and competing in guessing what the future is like, we need to try the unimagined, to expand our imagination with experiments that produce new information about the world, and thus liberate us from the need to pretend to know and to be right about what will work and what will not. Experiments create artefacts, learnings, and shared experiences that lay the foundations to a meaningful dialogue and a collaboration for the future.

The first Untitled festival, held on September 17th-18th, brought together over 400 people from 30 countries to collectively reimagine the society and set the agenda for the most important experiments. This was done with the help of conversations, co-creation, art, embodied and social exercises, and the celebration of the possibility of the next era. This eclectic selection of practices highlights the fact that there is no supreme method for imagining Untitled Futures: facts, reasoning, and clever arguments have a limited scope: they cannot help us in reaching for things that lack concepts and previous examples.

Untitled festival also increased the gravity of a number of real-life experiments. We find both the diversity of the experimentalists as well the experiments are promising. Here are a few examples:

  • An activist investor aiming to explore the “flip” of the entire property industry, through the creation of the world’s most sustainable buildings
  • A think tank and do tank is going to reimagine the democratic process by breaking out of the traditional governmental pattern of “decide, do, defend”.
  • The housing (first) company is experimenting with redefining housing as a part of basic income and sustainable living in a city.
  • A research and development community is launching four experiments on the public sector transformation through distributed technology.
  • A group of activists is developing the “Transcultural Republic of Nodes” to reimagine the nation-state.
  • A social enterprise is setting out to deliver a 12-month experiment to pilot a completely reimagined accelerator program allowing entrepreneurs to change capitalism from within.
  • A climate innovation community is set to experiment with a model for nurturing urban nature as public infrastructure.

Usually, at similar events, there are the questions: “What next? What should we do? What happens when you go home? ”

For Untitled, the festival was the starting point for the next ten years.

In this way, Untitled is like a collision in a particle accelerator: the unlikely event in which immense amounts of energy are released and new worlds can unfold.

We are that collision.

The power of this congregation has released increased gravity. This gravity is pulling new coalitions and building unlikely alliances around the real-life experiments launched at the inaugural Untitled festival, accelerating these first glimpses through the ten-year process of Untitled.

Maisa Immonen is a Helsinki-based 3D artist and visualist. In her art she creates characters and scenarios, through which she explores emotions and identities. Her interests include the themes of shame and self-assurance and how these are associated with the representation of self and performativeness.
Maisa draws inspiration from vibrant colors and organic textures. She uses 3D technology to illustrate the shapes and forms that are created by the uncontrollable force of nature.

Maisa was the designer of the fantastic filters we used to able participants and hosts to ’dress-up’ virtually during the festival.

What does an ecologically sustainable future look like? How is the carbon neutral Finland in the year 2035? Architects Declare Finland launches its operations by challenging Finnish Architects to share their visualizations in a collective image bank.

The images at the bottom of this article aim to inspire the entire construction industry towards change. Ecological Sustainability is often seen as a series of tightening limitations. The idea behind the idea bank is to visualize that living and building ecologically sustainable will actually increase our quality of life. We need a positive vision that we can together aim towards.

The international Architects Declare petition, founded in May 2019, demands a paradigm shift in our behavior. The entire construction industry is called to action, in order to meet the needs of our society without violating the earth’s ecological boundaries. The twin crises of climate breakdown and biodiversity loss are the most severe long-term issue of our time. Buildings and construction play a significant part, accounting for nearly 40% of energy-related carbon dioxide emissions whilst also having a substantial impact on our natural habitats.

More than thirty Architects submitted their visions during August, out of which a selection is published below . Defining what ecological sustainability is not easy nor straightforward. Individual offices are presenting their visions in order to start discussion. Architects Declare Finland take the first stand but challenge the whole construction sector to do the same. Let’s create a shared vision for a sustainable future and decide the steps needed to reach that goal.

Link to Architects Declare Finland declaration (in Finnish):   http://en.architectsdeclare.com/

Link to Architects Declare Finland on Facebook (in Finnish) : https://www.facebook.com/architectsdeclarefinland

Link to the global hub Construction Declares: https://www.constructiondeclares.com/

Twitter hashtags: #architectsdeclare #architectsdeclarefinland

Here’s a selection of the visions with maximum variety in themes and scales for creating a better built environment:

Kirkkojärvi storwater park by LOCI Landscape Architects: Kirkkojärvi stormwater park is designed to enable the flooding of the former lake and current river. The river has it’s space to expand. Pedestrian and leisure areas are located above the flooding. Resiliency is much more cost-effective than repairing damage caused by the growing amount of extreme weather conditions. By good design flooding can be seen as an opportunity instead of a Nuisance.

Route urban route by Sitowise:  Densify urban structure an free traffic areas for the use of pedestrians . In a competition proposal the old autobridge will be turned into a green pedestrian bridge instead of being taken down. New vegetation of the area decreases the impact of traffic, cleans air, reduces stormwater floods and supports urban biodiversity.

Carbon neutrality 2035 by L-Architects: We need an Evolution not a Revolution in order to reach carbon neutrality by 2035. For example our vision and roadmap for Hakunila, developed for the city of Vantaa, depicts a built environment that looks similar to current Neighborhoods but the innovation is, so to say, under the hood. We aim for long-term and flexible structural solutions, such as wood products and wooden frame solutions, that facilitate the recycling of buildings and reduce their carbon footprint. Service economy and circular economy are cornerstones of this new way of living, working, consuming, recycling and enjoying the community.

Ecological urban village by Tomi Jaskari and Tuomas Klaus: Future sub-urban Neighborhoods can be dense, but at the same time human in their scale. The proposal for the Vartiosaari planning competition is an urban plan for a new eco-efficient, human scaled and dense area along the new Tramway line. The compact footprint of the village saves the nature around and enables ecological and efficient solutions in the infrastructure of the area.

Concept for a post-agrarian city by M10: Circular economy solutions are combined together with housing, small-scale farming, opportunities for telecommuting, grocery shops, leisure activities as well as public spaces. The combination encourages for social and entrepreneurial activity. Homes are self-sustainable producing the consumed vegetables. Construction materials are recycled in the upscale station. Nearby restaurant provides local food and together with a shared sauna build into the historical landscape. New community and spaces create a strong identity for the area.

Wood pyramid by Ark Brut: The wooden pyramid consists of smaller fractal Pyramids ensuring a stable distribution of load to the structures Underneath. Fractal structure enables bringing light, fresh air and greenery to the core parts of the pyramid. The walls consist of Massive wooden CLT-elements. The structure enables a tramline run trough and houses a school as well as shared outdoor Terraces. There are 6000 modules, which vary in sizes from 30 to 60 square meters, and of which roughly half are suitable for living environments with natural light and views. Other modules host community-, service- and working spaces.

Solar Foods by Planetary Architecture: A design for a Solar Foods off grid factory concept that uses solar energy to Capture CO2 from thin air and cook it with Bacteria to create Solein – eatable protein. The facility is composed of a solar energy production field, CO2-capturing installations and the production facility. The round volume of the building is optimized spatially for both heating and cooling needs. The facades create a continuous solar reflector to keep the extra heat out in hotter climates. The roof windows allow indirect natural light in to minimize the need for artificial lighting.

Vision 2010 by Kaleidoscope: Buildings live in a symbiotic interaction with humans. The Evolution of AI and the development of materials and nanorobotics also represent positive possibilities for the humankind. Future buildings can provide a new type of protection: through sensor technology, they warn about pollution levels or let you know where your friends are hanging out. Buildings can define the boundaries between inside and outside: a facade can a raincoat, and buildings can regulate their energy consumption. Traffic no longer defines urban space as before: your entrance can be located on the 5 th floor. Nature strikes back and reclaims the Streets. Illustration by Vegard Aarset

Sustainable block house by Avarrus Architects: Built environment is created for future generations to come. Construction materials used in buildings today should still be in use after 100 years. This is enabled via Massive walls, natural materials and natural ventilation. The example for the building is set by 100-year old brick houses in the city as in the district of Töölö in Helsinki, which are considerably low in their energy use.

Wooden Metsä-Pavilion at the Tokyo Olympics by Helin & Co Architects: The emotional effects of wood on the human mind are different from other building materials. When reasonably processed, wood is an Authentic, live, local product of nature, which requires little energy. It is renewable, binds carbon dioxide and stores heat. Wood is easy to shape and repair. The wooden Metsä (forest in Finnish) Pavilion is to be built on the site of the Finnish Embassy in Tokyo. The building will continue to be used in the future. When the Pavilion is no longer needed, it can be disassembled, packed in containers and transported to the next destination.

Developing the use of rammed earth by Collaboratorio: In Finland, Collaboratorio is a pioneer in developing earth as a building material and we focus on the design of healthy buildings. Potentially being 100% recycled and 100% recyclable and having extremely low CO2 emissions in the production process, we believe that rammed earth structures either alone or combined for example with timber structures could drastically reduce the level of CO2 emissions of the building industry and improve building’s interior air health.

Massive logs by Bruno Erat: Definitions of sustainable built environment: a house produces it’s own energy and protects itself against elements of nature as rains, winds, overheating. A house creates biologically active space around itself as much as what has been lost by building the house. Gray energy contained by the house should be proportional to the Lifecycle of the building – one example to be given is the Lifecycle-house made out of Massive wood structures. A house should be flexible: easy to adjust to changing functions or the Lifecycle of the inhabitants. A house should not fight against nature .

Roberto Mangabeira Unger has had intellectually strong influence on how we understand societal transformation, and especially the elemental role of imagination in it. A recent presentation of his at MIT in the spring further underlines the importance of his presence at Untitled.

“We should not depend on the crisis. It is so as not to depend on crises that we possess the faculty of imagination. The task of the imagination is to do the work of crisis without crisis.

During the final session of the first Untitled festival, Roberto Mangabeira Unger will provoke Untitled Alliance. Provoke about directions, substance, and action.

Roberto Mangabeira Unger, a philosopher and a social and legal theorist, is the former Minister of Strategic Affairs of Brazil and the present Roscoe Pound Professor of Law at Harvard University. A sample of his work is available on his website www.robertounger.net

This was a session at Untitled Festival 2020.

In this discussion, Indy Johar will present a hypothesis that building a new relationship with ourselves and the world around us is both fundamental and possible to avoid the self termination of society.

Indy Johar is the Co-founder and Executive Director of Dark Matter Labs  – a multidisciplinary design team working with partners, clients, and collaborators across the world to develop new working methods for system change. Dark Matter Labs is focussed on the great transitions our societies need to respond to the technological revolution and climate breakdown we face. They aim to discover, design and develop the institutional ’dark matter’ that supports a more democratic, distributed and sustainable future across five domains of exploration: Cities, Finance, Institutions, Experiments and Education [Source: https://darkmatterlabs.org / Projects]

Twitter: @indy_johar, @DarkMatter_Labs

Website: https://darkmatterlabs.org/projects

Photo: Indy Johar LinkedIn (c)



This was a session at Untitled Festival 2020.

While everyone is talking about the urgency of transition to a sustainable, post-fossil future, there are actually very few coherent, science-backed images of the future or serious political programs that would depict such a transition. The lack of such works of Imagination forms an obstacle to a greater political and social mobilization. In 2012 Demos Helsinki and its partners created Four Scenarios for Sustainable Lifestyles 2050, a study that presented storylines on alternative societal models and lifestyles that could meet the globally sustainable level of 8 tonnes / annum / person material footprint. 

Now, in 2020, it is worthwhile to look back and review how Four Scenarios for Sustainable Lifestyles 2050 could serve as a starting point for imagining and experimenting with the great transition of the 2020s and 2030s to carbon neutral societies . We will discuss how to make Four Scenarios for Sustainable Lifestyles 2050 a usable tool for transition is a topic we will discuss in the session. Political groups and their advisors, business leaders, strategists and environmentalists are invited.

There is a great urgency to avoid the climate catastrophe. The coming decade will be full of disruptive events that provide opportunities for moving faster towards a sustainable society. But that cannot happen unless we have scenarios on alternative models for a sustainable society.

Vinay Gupta is a visionary serial-entrepreneur and coder. He is the CEO of Mattereum and Inventor of Hexayurt. Previously Gupta helped coordinate Ethereum’s 2015 release, working as a project manager on strategy and communications.

Aleksi Neuvonen is the co-founder of Demos Helsinki. He lead the research behind the Four Scenarios for Sustainable Lifestyles 2050. He has published numerous other scenario reports and lectured on futures studies in various universities. 

Twitter: @leashless, @leksis

Website: https://www.demoshelsinki.fi/en/julkaisut/from-local-loops-to-global-champions-scenarios-for-sustainable-lifestyles-2050-2/ 

This was a session at Untitled Festival 2020.

The movement for a guaranteed income offers a way to reimagine work, deservedness and dignity. What would the world look like after an income floor? Let’s compare notes on the movement for a guaranteed income in different countries, and look for signals together of what a world after guaranteed income would look like. A network of academics, activists, artists and culture creators are needed to make a guaranteed income a reality.

Natalie Foster is one of the leaders in the guaranteed income movement in the United States, and her team at the Economic Security Project has been working hard to make sure a COVID19 guaranteed income is part of the US response to the economic and health crisis.

Natalie is the co-chair and co-founder of the Economic Security Project – a network to support exploration and experimentation of a guaranteed income and reining in the unprecedented concentration of corporate power, and a senior fellow at The Aspen Institute Future of Work Initiative. In 2013, Natalie was founding CEO of Peers.org to support people who work in the gig economy. Prior, she was the CEO and co-founder of Rebuild the Dream, a platform for people-driven economic change, with Van Jones. Previously, Natalie served as digital director for President Obama’s Organizing for America (OFA) and the Democratic National Committee. Natalie built the first digital department at the Sierra Club and served as the Deputy organizing director for MoveOn.org. She’s been awarded Fellowships at the Institute for the Future, Rockwood Leadership Institute and New America California, and is a board member of the California Budget and Policy Center, the Change.org global foundation, and Liberation in a Generation, a project to close the racial wealth gap. [Bio Source: Economic Security Project]

Website: https://www.economicsecurityproject.org

Photo: Natalie Foster (c)

Every day we face and witness the dramatic effects of the climate crisis. The construction industry, which still struggles to apply ”green” parameters and constraints in the construction of new buildings, has a major impact on the environmental balance. However, it is necessary to reverse this trend as soon as possible and work to reduce emissions to a minimum by implementing Restorative operations, even on the assets already built. What approaches can be developed to push this transformation as quickly as possible?

With a background as an engineer, Carlo Battisti has always worked in the building sector, gaining solid experiences across twenty years in construction companies, with different roles. Since 2009 he has collaborated with IDM South Tyrol as a project manager in Business Development. In 2015, he founded the Italian chapter of the Living Future Institute. Today Carlo holds the office of President of Living Future Europe.

What should be reimagined now? We can consider a building as an assembly of different components both on technical and social aspects. Therefore, we can imagine that this concept represents exponential complexities on an urban scale. Cities are assemblies that we use to call communities. Is it possible to Redefine paradigms and realize sustainable areas within cities? What could look like an entire carbon neutral district? It is fundamental to encourage sustainable approaches in both local administrations and industries. We, in Europe, sit on a huge opportunity to restore our architectural heritage.

How can we experience environments that are closer to the concept of nature and Sustainability even within cities? It is essential to start with raising people’s awareness. Transmitting the value of environmental sustainability. An interesting concept in this regard is that of biophilia. Biophilic nature is an innate experience in mankind but no longer Instinctive. We got used to living in another way. This is why it is essential to bring this dimension back to people. It is possible to bring people closer by immersing them in these concepts, making them directly experience what a biophilic building truly represents. Living and experiencing it, means that the relationship with nature is immediate and within reach. Many studies show how this kind of architecture has strong benefits on the psycho-physical balance of man.

What kind of orientations in climate policies could experience in our cities in ten years’ time? For sure we need bold projects, decisions and actions. We are facing this climate crisis with irresponsible levity. I see cities walking along through this path using backcasting methodologies. What do we expect 2050 to be? Tackling this question, not only do we need to achieve carbon neutrality but we should develop new tools to manage complexities derived from the worsened effects of climate change. We should engage positive competitions and Collaborations among administrations, states and industries that could impact positively on our societies with disruptive improvement. We can no longer stand still but we need radical changes.

Living Future Europe Website:  https://www.living-future.eu/ 

Twitter: @battisti_c , @LFEurope